Two of the most creative and stylish ladies I know in this global fashion sewing community, Sarah Gunn of Goodbye Valentino, and Julie Starr, have collaborated once again on a book dedicated to our craft. Their first book, The Tunic Bible, published by C&T Publishing, met with acclaim and well-deserved enthusiasm, establishing itself as the go-to standard for creating one-of-a-kind, flattering tunics. In A Stylish Guide to Classic Sewing, Sarah and Julie broaden their focus to cover a range of styles, namely those that have stood the test of time and are considered “classics.”
I love the size of this book. At 9.5″ x 7.5″, it is easy to hold and use.
The book is very handily compartmentalized into 30 chosen styles, the “classics,” thoughtfully documented by Sarah and Julie. I would have loved to be privy to their brainstorming sessions on what styles to include in this list. There are the obvious ones, of course, such as the pencil skirt, the sheath dress, the shirtdress, and the French jacket. But they also cleverly identified some styles not always necessarily thought of as “classic.” But indeed, they are, and truly deserve their place in this book. Think Halter dress or top, Palazzo Pants, Jeans-style Jacket, and Menswear Pajamas! All these and more are included in this book.
Each chapter deals with one ”Classic” and its history and who, throughout the years, has worn it. Also included are sewing tips, fabric suggestions, and styling guidelines for each classic. Some of the chapters include a cautionary paragraph on how to avoid the “Frump Factor.” Simple changes like altering the hem length or wearing the appropriate shoes can change one of these classics from frumpy to fabulous. Pay attention to the authors’ suggestions because they know about what they are writing!
Here is just one example of tips and styling ideas included with each category.
Accompanying each chapter is also one of my favorite aspects of this book – a carefully chosen quote. I thought I had come across just about every quote about fashion and sewing that was ever spoken or written. But somehow, Sarah and Julie have discovered some real gems and placed them perfectly in the book. Take for example this quote by Winston Churchill included in the chapter for the pencil skirt: “A good speech should be like a woman’s skirt: long enough to cover the subject and short enough to create interest.”
Or consider this one by Georgio Armani in the chapter on the Bateau Neckline: “Elegance is not standing out, but being remembered.” As one who loves a bateau neckline precisely for its elegant appearance, I found this quote perfectly placed.
The center section of the book, nestled comfortably among the many chapters, is “the Classic Garment Gallery.” I was very flattered to be asked to contribute to this section, which is a compilation of classic styles sewn by “members” of the worldwide sewing community. Here you can see these classic styles modeled by the makers, and it is a marvel to take this all in. Yes, this is a section to return to again and again to get inspiration.
And speaking of inspiration, the absolutely delightful illustrations by Beth Briggs will not only captivate you, they will also provide you with styling ideas and concepts.
At the back of the book is a carefully considered list of Resources. Included are lists of Fabric Books; Fabric Vendors; Fabric Shopping Around the Globe; Trims, Tools, and Notions; Related Articles, Videos, and Online Classes; and Sewing Instruction and Alteration Books. No beginning or advanced devotee of fashion sewing should be without this list of Resources.
Well, no fashion sewing book is complete without a pattern, and I am happy to report that included with A Stylish Guide to Classic Sewing is a multi-sized pattern for the Goodbye Valentino modern classic pencil skirt. There is nothing quite like a pencil skirt for a basic wardrobe component. This is a skirt to be made time and again, following the precise instructions included in the back of the book.
This is a sewing book, and as such, targets those of us whose passion is sewing our own fashions. However, there is much in this book which would be of value to anyone wishing to enhance or perfect her own style. Likewise, it should be inspirational to those just beginning to sew for themselves as well as those who just aspire to it! How perfect is this quote from Audrey Hepburn (page 161): “The most attractive accessory a woman has is confidence.” With this book in hand, you will both sew and dress with confidence and style.
And now, it is with great excitement that I am able to offer my readers a chance to win a copy of this book, compliments of C&T Publishing. Should the winner be a resident of the United States, he or she will receive a print copy of the book; an international winner will receive a digital copy of the book. For a chance to win, please leave a comment with this blog post no later than Sunday, December 8th at 12 noon, Eastern Standard Time. I will draw the winner late afternoon on Sunday, December 8th.
To read more reviews, and for more inspiration, please visit the following sites (dates indicate the day of review):
Dec 2 Lori VanMaanen
Blog – girlsinthegarden.com
Dec 3 Andrea Birkan
Instagram – @andreabirkan
Dec 4 Anita Morris
Blog – anitabydesign.com
Instagram – @anitabydesign
Dec 6 Alex Florea
Blog – sewrendipity.com
Instagram – @sewrendipity
Dec 7 Lucy VanDoorn
Blog – myloveaffairwithsewing.com
Instagram – @myloveaffairwithsewing
Dec 7 Cennetta Burwell
Blog – email@example.com
Instagram – @cennetta_burwell
Dec 8 Manju Nittala
Blog – sewmanju.com
Instagram – @sewmanju
Dec 8 Dorcas Ross
Instagram – @lonestarcouture
￼A Very Pink Coat, Part 1
Some projects deserve more than one blog post and this pattern and coat fall into that category.
From the magical year of 1957 (I promise some time I will devote an entire post to the notable spot that the year 1957 occupies in the modern history of fashion), this coat pattern is in a class of its own. Referred to as a “car coat” in two Vogue Pattern Book Magazine entries, it is a quintessential example of that genre. Here’s why:
This pattern is featured twice in the Vogue Pattern Book Magazine from August-September 1957.
Here is the longer version shown on page 22:
And here on page 37 is a drawing (by illustrator Dilys Wall) of the coat in red with this description: “A hounds-tooth-check car coat with three flap pockets, side-slit seams, and tab-button detail on the sleeves. Designed in sizes 10 to 18.”
Interestingly, also featured in this same magazine is this example of a child’s coat, also with a fly front. This type of opening takes more skill – and time – to make. I love the affirmation this item gives to the commitment and ability of the home-sewer in the 1950s.
Because this coat has those extra details which put it a notch above ordinary, there is a lot of preparation work before seams can actually be sewn together. The sleeve tabs, with their bound buttonholes must be complete before the sleeve seams can be sewn. Additionally, the set-in pockets with their flaps present a considerable amount of prep work on the fronts of the coat. Sounds like fun to me! More to come . . .
Filed under car coats, Coats, Fashion commentary, Fashion history, Mid-Century style, Pattern Art, pockets, Uncategorized, vintage Vogue patterns from the 1950s, woolens
Tagged as 1950's Vogue patterns, coats, fashion sewing, sewing, vintage fashion, vintage Vogue patterns