Time away from home – as in a vacation and/or a trip with a specific purpose – can hold many possibilities and promises, including treasured time with family and friends, new adventures, a change in routine, and, of course, exposure to new and different places, people, and history. For me, and for many of you, it also means a forced hiatus from sewing, which is a change in routine that is not always welcome.
Thus, after returning earlier this week from 30 days away, I felt a great sense of calm and happiness when I went into my sewing room after such a long absence. It took a few days to start a new project, but now I am cranking away at Fall fashion sewing, littering the floor with scraps and threads and pins. My room, which I had left neat and tidy and clean is now scattered with patterns and muslin and fabrics – in other words, it is back to normal.
I have come to know, however, that references to, and examples of, sewing and fashion seem to show up in the most unusual places – even on vacation (or “work” trips) when you least expect it. It is like my “Sewing Fairy Godmother” is looking after me with these charming and fascinating bits of whimsy to keep my focus sharp and my sewing homesickness at bay.
Consider that these two charming dress forms, both size 4, adorned one of the rooms in the spacious and lovely house located high (very high) in the massive and stunning peaks of Colorado (USA) where we just spent the past month.
To make this even more meaningful for me, the forms were the perfect size for our 4-year-old granddaughter who was with us for part of our stay. Wouldn’t one of these be a nice addition to my sewing room!
Other fashion vignettes were found throughout the house, such as these glove forms tucked into a corner cupboard.
And among the art books on display was this volume which I read cover-to-cover, only wishing there had been more photos of my favorite best-dressed women throughout the ages (such as Babe Paley, Grace Kelly, Jackie Kennedy Onassis, Coco Chanel, Mona von Bismarck) – and where was Bunny Mellon? Despite its shortcomings, I found it a fascinating synopsis of fashion and its leading ladies from 1940- 2002.
So when else has my Sewing Fairy Godmother been looking out for me? She must be tenacious, as it took almost two years for her to prove her existence to me. It all started over two years ago, when in a weak moment I agreed, after much consideration, to be President of my Garden Club from June of 2015 – June of 2017. My biggest concern was that my duties in this role would greatly impact, negatively, the hours I could devote to my sewing. And, this turned out to be correct. I had many frustrating hours when I was in meetings, planning for meetings, hosting meetings, running meetings, doing all sorts of unimaginable things for the Club, all of which meant I was not sewing for big chunks of time. However, I persevered, tried to keep a positive attitude about it all, and do a good job.
Then – I had a Eureka moment when I was on a “business” trip for the club early this past May, attending the Annual Meeting of the Garden Club of America. Among the perks of this Annual Meeting is a wonderful multi-vendor boutique, which is set up in the host hotel. One of the vendors specialized in French fashion jewelry. Although her jewelry was lovely, it was one of her props that caught my eye – a wooden sign, with the phrase “COUTURE MODE” spelled out in stylized block letters.
When I approached her about it, she told me she had purchased it in Paris several years ago and it was “not really for sale” – but she would think about it. She gave me her card and told me to stay in touch. Well, did I ever! By the beginning of June, she had agreed to sell me the sign. It now hangs in my sewing room, where I enjoy it daily.
If not for being Garden Club President, I never would have been at that meeting, and I never would have found this sign. So, thank you Sewing Fairy Godmother, for knowing better than I, that opportunities and inspiration are sometimes long in the making or found in unexpected places.