Tag Archives: baby quilts

A Quilt for Carolina

The calendar tells me it is January of 2016. However, I cannot quite let go of Christmas 2015 yet – at least not until I share the story of the small quilt I made for the newest member of our family.

A quilt for Carolina

Dear little Carolina was born in April, and it was then that I began to plan the quilt I knew I would make for her first Christmas. I had done the same for her big sister, Aida, two years ago.

This is the quilt I made for Aida two Christmases ago.

This is the quilt I made for Aida two Christmases ago.

Once we knew what her name was (Carolina is pronounced like the American states, North and South Carolina, with a long “I”), it seemed an easy decision to anchor each corner of the quilt with a “Carolina lily.” Here is a classic Carolina lily quilt square:

A quilt for Carolina

However, there are a ga-zillion variations of this design, and because I don’t enjoy “piecing,” I designed a block with an appliquéd lily, set in a blue pot. I thought I would tie these blocks together with rows of undulating vines, as seen in the first image above.  And then I got stuck. I wanted to draw on some of the design features in Aida’s quilt, but make it look entirely different. Initially I thought I’d like the great middle field of this quilt to be of a “random” nature similar to this quilt pictured in one of my books:

This quilt is pictured in Crib Quilts and Other Small Wonders, by Thos. K. Woodrd and Blanche Greenstein, E. P. Dutton, New York, New York, 1981, p. 16.

This quilt is pictured in Crib Quilts and Other Small Wonders, by Thos. K. Woodard and Blanche Greenstein, E. P. Dutton, New York, New York, 1981, p. 16.

I spent hours fiddling with paper appliqués and trying to get inspired. Nothing was working and time was flying by!! Even small quilts (Carolina’s quilt is 46” square) take a long time to make. I finally realized that this quilt needed to be orderly, but whimsical, for me to come up with a successful design. I like a quilt that can be rotated and viewed logically from all four edges – so I decided each side of the quilt had to be anchored by something. I thought about some of the memories Carolina might have of her first home – and then it all became obvious. Tall – very tall and very green – pine trees define the property where Carolina and her Mommy, Daddy, big sister, and dog live. The pines are sheltering, sturdy but sometimes swaying, and home to untold numbers of birds and animals. They would be the perfect definition for this quilt, too.

A quilt for Carolina

Two blue birds are on each of the tall middle trees.

The animals – dog, cat, chicken, and bees (flying around their hive) – practically designed themselves:

The dog's ear is floppy! I lined it with pink gingham. Here i have it pinned back so you can see it!

The dog’s ear is floppy! I lined it with pink gingham. Here I have it pinned back so you can see it.

I am a big fan of the dog's ear - so another look at it!

I am a big fan of the dog’s ear – so another look at it.

One of our cats wears a pink collar - thus the pink gingham ribbon for this cat. I added her smile after I had taken this photo.

One of our cats wears a pink collar – thus the pink gingham ribbon for this cat. I added her smile after I had taken this photo.

I embellished the chicken with wide rick rack. One of the fun aspects of designing a quilt is the ability to select the perfect fabric to tell your story - this hen has feathers!

I embellished the chicken with wide rick rack. One of the fun aspects of designing a quilt is the ability to select the perfect fabric to tell your story – this hen has feathers!

Bees a-buzzing around their hive!

Bees a-buzzing around their hive!

Each interior corner of the middle field is anchored by the Sun, the Moon, and the Stars:

The sun in this corner.

The sun in this corner.

A smiling moon, with rick rack mouth and a green button eye.

A smiling moon, with rick rack mouth and a green button eye.

Polka dotted stars in the other corners.

Polka dotted stars in the other corners.

You are seeing sections of the finished quilt, but here are some “in progress” photos, showing the freezer paper appliqués that were easy to spread out so that I could consider  the placement of each one.

This was how I knew I had the right composition of the quilt. Then it was on to hours and hours and hours of hand appliqué!

This was how I knew I had the right composition of the quilt. Then it was on to hours and hours and hours of hand appliqué!

It was rewarding to see this progress!

It was rewarding to see this progress!

I would occasionally place the border pieces on the edges to see if I like how it looked. With quilts, I am known to make decisions as i go along.

I would occasionally place the border pieces on the edges to see if I liked how it looked. With quilts, I am known to make decisions as I go along.

Once I had the center finished, the borders needed something else. I decided Carolina’s initials – CHT – would be the perfect addition, appliquéd with the surname initial in the prominent outer and middle position on each edge. See the above photo for my thinking process on this.

A baby hand is appliquéd in the center, surrounded by baskets, ready to be filled to their brims by her imagination, just as with Aida’s quilt.

I added the red rick rack bows, secured by vintage buttons, because i thought the center of the quilt needed more "heft" - and I was pleased with the effect this small addition made. (I took this photo before I had trimmed the ends of the rick rack even.)

I added the red rick rack bows, secured by vintage buttons, because I thought the center of the quilt needed more “heft” – and I was pleased with the effect this small addition made. (I took this photo before I had trimmed the ends of the rick rack even.)

I neglected to take a photo of the back of the quilt. I chose pink gingham cotton – in Carolina pink! – to make cuddling under it even more fun – and it serves as a tie-in with the bow on the cat, and the dog’s floppy ear.

I finally finished this quilt just one day before our whole family arrived for the holiday. I was obviously so glad to have it done, but then I found myself filled with weepy emotion and grateful wonder at the great blessing of grandchildren and the love that such a quilt can represent.

Made with love!

Made with love!

Carolina with her new quilt!

Carolina with her new quilt!

Oh, yes – lest you think Granddaughter #1 was to go without something handmade by her Coco (the name our granddaughters call me!),  please think again. I had purchased this pattern a couple of years ago, and decided this was the time to use it.

Quilt for Carolina - bear pattern

I made the baby polar bear, opting for pink ears and a pink gingham ribbon around its neck.

With button eyes and an embroidered nose.

With button eyes and an embroidered nose.

DSC_1031

DSC_1032

Hello, Aida!

Hello, Aida!

Now, at last – I am ready for the New Year, with all its promise and mystery! Happy 2016 to all of you around the world!

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Filed under Baby quilts, Sewing for children, Uncategorized

B is for Baby; Q is for Quilt

Despite thinking for the last several years that I would probably never make another quilt, in 2013 I found myself digging through my quilting cottons.  Cuddly little babies and little snuggly quilts seem to go hand in hand – and I just could not imagine our new grandchild without one made specially for him or her.

I have always been a traditionalist when it comes to quilts, preferring classic quilt patterns to modern art quilts.  There are a few of those patterns which I have gone back to time and again, and my favorite quilt design is a Princess Feather.  Maybe because of this, when I asked my daughter (before we knew “girl” or “boy”) what she would like for a baby quilt, she chose a Princess Feather.  I must admit my heart kind of sank at the prospect of making another one of these complicated designs.  Of course, I was not about to tell her that – and so I began to plan a Princess Feather quilt for Baby Unknown.

For those of you unfamiliar with this American quilt design, here is a little background on it.  The pattern began to appear in the mid-1800s, and was very popular, despite its complexity, on the East Coast of the United States.  A group which took to it with great exuberance was the Pennsylvania Germans who populated the southeastern part of the state of Pennsylvania.  (Both my husband and I are descended from this group of immigrants.) It is thought that the pattern evolved from printed images of the Prince of Wales of Great Britain, whose hat apparently was adorned with a great feather plume.  Its nomenclature probably started out as Princes’ Feather and gradually became known as Princess Feather.

Here is one example of a vintage Princess Reather baby quilt, Reproduced from Crib Quyilts anbd Other Small Wonders, by Thos. K. Woodard and Blanche Greenstein, E. P. Dutton, New York, New York, 1981.

Here is one example of an antique Princess Feather baby quilt, Reproduced from Crib Quilts and Other Small Wonders, by Thos. K. Woodard and Blanche Greenstein, E. P. Dutton, New York, New York, 1981.

And here is anoter antique example.  Reproduced from The Quilt Engagement Calendar Treasurt, by Cyril I. Nelson and Carter Houck, E. P. Dutton, New York, New York, 1982.

And here is another antique example. Reproduced from The Quilt Engagement Calendar Treasury, by Cyril I. Nelson and Carter Houck, E. P. Dutton, New York, New York, 1982.

It was rendered in many different colors, but the classic version of it is with a white background, with alternating feathers in red and green.

Here is a large classic red and green antique Princess Feather quilt from a private collection.

Here is a large classic red and green antique Princess Feather quilt from a private collection.  The handwork on this quilt is exquisite.

This has always been my favorite color combination for this pattern, and so I decided to make it with red and green on white as the basic colors.

I was not very conscientious about taking pictures of the quilt in progress, so most of these details are of the finished quilt!

I was not very conscientious about taking pictures of the quilt in progress, so most of these details are of the finished quilt!

As I started my work on the appliqué feathers, I got really bogged down.  I just found it difficult to work on a quilt for a little person whose personality I did not know, not to mention its sex!  I realized I was not going to have this quilt done for the arrival of what turned out to be our little granddaughter Aida.   So, I reset the finish date to be for Christmas of 2013.  That seemed reasonable to me (however, I did not mention a word of this new timing to our daughter.  For all she knew, I had given up work on it!)

Over the summer, as little Aida’s personality began to emerge, the quilt took on a life of its own as I tried to match the design of the quilt to her charming playfulness and constant smile.  The central feather pinwheel surrounded by a narrow vine, provided the perfect small spaces for happy appliqued animal figures.  The large spaces in the corners definitely needed beeskeps, with swarming little busy bees to duplicate her constant motion!

The beeskep shape is from a cookie cutter, too, but I concocted the stand.

The beeskep shape is from a cookie cutter, but I concocted the stand.  Hope the kitty does not get stung!

I used cookie cutters for almost all the animal shapes.  The animals I chose were:  cats, dogs, chickens, geese (the goose cookie cutter I used is actually one that our daughter made in a Colonial Craft Camp when she was about 8 or 9 years old!), and pigs.

Here are the geese and pigs.

Here are the geese and pigs.

Here are the dogs.

Here are the dogs.

I used rickrack to make embellish the chicken.

I used rickrack to embellish the chicken.

Then, as a lover of old baskets, I added two basket shapes, which hopefully Aida can fill to their brims with her imagination some day!

A tiny basket, waiting to be filled.

A tiny basket, waiting to be filled.

Once I got the animals and shapes appliquéd onto the white background, I laid it out on the floor for scrutiny.  Something was just not right with it.  It needed something else.

This quilt needed something else...

This quilt needed something else…

It came to me quite quickly that it needed something more around the outer edge – like an undulating border.  I cut a sample out by freehand for one side – and voila!  More handwork and that did it.

With the red undulating border added.  Ready for basting the layers together.

With the red undulating border added. Ready for basting the layers together.

By this time, it was early November and I was beginning to panic.  I had forgotten how much work there is in a quilt, even a small one!   I got it basted together after taking forever to decide what type of backing to put on it.  I don’t like to use boring plain white backgrounds, but with a white quilt, I did not want to use a dark or heavily figured backing.  After much looking and thinking, white with small red polka dots seemed happy and fun.

Polka dotted cotton for the backing.

Polka dotted cotton for the backing.

I had never machine quilted a quilt before, but I knew this would have to be the first. (I never really enjoyed hand-quilting – in stark contrast to hand appliquéing, which I love to do.)  An ailing shoulder and a looming deadline convinced me to make this small concession.  The only exception would be the very center circle and the swarming bees, which would have to be done by hand.

I quilted a baby hand into the background.  I also added "Honk, Honk", "Meow, Meow", "Woof, Woof", "Cluck, Cluck", and "Oink, Oink" above the related animal shapes.

I quilted a baby hand into the background. I also added “Honk, Honk”, “Meow, Meow”, “Woof, Woof”, “Cluck, Cluck”, and “Oink, Oink” above the related animal shapes.

I always like to quilt an adult hand as well . . .

I always like to quilt an adult hand as well . . .

Exactly one week before Christmas Eve, I completed the quilting.  All I had left to do was to apply the binding.  Three days later (with everything else about the Christmas season and preparations bearing in on me – HELP!!), I finished the binding.  A gentle wash, signing the quilt in indelible ink – and the quilt was done, just in time to be wrapped before Aida arrived with her parents on the Saturday before Christmas.

Finished!

Finished!

B is for baby

Where is Aida?

Where is Aida?

There's Aida!

There’s Aida!

There's Aida!

Christmas is fun!

I suspect I’ll be making many things for Aida over the years – and maybe even doing some vintage-inspired fashion-sewing for her one day.  But there is so often something enduring about a quilt, that sets it apart.  I hope this quilt has that quality to it, for our dear little girl who has already enriched our lives in ways, like the bees, too numerous to count…

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