This sewing out of season is perplexing. On the one hand, I am happy to have been able to complete this dress. But on the other hand, the timing of its completion means it is too late in the season to even think about wearing it – or much too early. Not that it will matter six months from now.
After my successful use of a new sheath dress pattern earlier this winter, I was anxious to use it again. And I just happened to have a piece of cashmere herringbone wool tucked away for such an occasion. I had been on the hunt for a wool to coordinate with the Classic French Jacket shown, and I was quite excited when I found this selection at Farmhouse Fabrics. The bonus was the fact that it is cashmere, and oh, so soft.
Wool is quite possibly my favorite fabric on which to sew. Christian Dior certainly had kind words to say about wool in his Little Dictionary of Fashion. “Wool shares with silk the kingdom of textiles… And like silk it has wonderful natural qualities. Always before you cut woolen material it has to be shrunk to avoid disappointment afterward.” [I always steam wool fabric heavily before I cut into it for just this reason]. Dior continues, “Wool has the great advantage over all other materials in that it can be worked with a hot iron and molded.” (The Little Dictionary of Fashion, by Christian Dior, Abrams, New York, New York, c2007, Page 122.)
Additionally, I have always loved the herringbone weave. The chevron pattern in this particular fabric is achieved by the use of two contrasting colors, yellow and pumpkin, which produces the lovely and soft deep persimmon color.
Making this sheath dress was very straightforward, its details identical to the sheath dress which preceded it: lapped zipper, underlined with silk organza and lined with crepe de chine, under-stitched neckline and armscyes, and a real kick pleat.

This jacket and skirt will be perfect for Fall – and I am delighted to have a dress to wear with my jacket which I completed two years ago.
And now for those of you who like to see the sewing I do for my granddaughters, here are two more dresses which were definitely too early (although on time for Spring birthdays.) Unseasonably cold Spring weather kept these dresses on their hangers apparently, but I do have pictures of them before they went on their journey across many, many miles to their final destination.
I found the fabric at Emma One Sock last Fall. It looks and feels like Liberty Lawn but is not. The bordered eyelet which I used for the collars is from Farmhouse Fabrics, as is the pattern, which I have used before. (This is the last year for this pattern for my girls, as I used the [largest] size 12 for my very tall and slender eight-year-old!)

The buttons are vintage Lady Washington Pearls. The pale pink rickrack is also vintage – and 100% cotton – which makes it lay beautifully flat, molding itself with the cotton fabric.
So quickly these weeks turn into months and then into seasons! Whatever the season from whence you are reading this, I wish you dresses which are just right! One of these days, mine will be, too.
Odds and Ends and One Thing You Mustn’t Miss
Sewing has been, well, challenging this summer. In reality, I think I have been able to accomplish just about all I could have hoped for – so far, at least – but it certainly doesn’t seem like very much.
When I packed fabric to bring along to our new vacation home in Wyoming, I tried to think ahead and determine exactly what I would need. For instance, I brought two decorator fabrics which I had picked out for two of our “new” bedrooms, with plans for making decorative pillows and at least one bed skirt. I also brought two fabrics with which to make dresses for our two little granddaughters who were arriving, along with the rest of our immediate family, in late July. I also brought some vintage Moygashel linen, many pieces of shirting and dress cottons, skirt fabric, and a piece of Viyella cotton/wool blend. What was I thinking?!! Certainly no one could accuse me of being under-ambitious!
I totally misjudged how much of my time would be taken up with organizing and setting up a new household. So – what have I been able to sew? A number of decorative pillows, for one thing. I find them – and all that self-bias tape I had to construct – utterly boring to make, but satisfying once they are completed. The bed skirts have been moved to the “still to do” list.
I was able to make dresses for my granddaughters. My original intent was to make each dress out of a different fabric, but when I stretched out my ladybug embroidered, striped fabric from Emma One Sock, I realized I had more than I needed for one dress. With one minor compromise, I knew I could get two dresses from my existing yardage. So I changed plans and made matching dresses.
I made white piping for the pockets and collars out of kitchen string and white batiste. The ladybug embroidered fabric is really so cute!
The compromise I had to make involved the sashes, as I did not have enough fabric to cut sashes for two dresses. Fortunately I had enough of the coordinating red fabric to make the sashes. Now I’m glad it worked out that way, as I think it makes the dresses cuter.
I had pre-purchased red decorative buttons, thinking I would need them for just one dress. Normally I would put three in a row centered beneath the collar, but with four buttons, and two dresses … Well, you do the math! Two on each dress it is!
Having spent many summer days and nights in Wyoming before this year, I knew from experience how chilly the mornings – and nights – can be throughout the summer. (The days are warm and glorious, however.) Warm cozy slippers and a winter-weight bathrobe are necessities. And that is why I brought along the afore-mentioned Viyella fabric. Although I packed a winter-weight robe which I made a few years ago, I wanted to make a new robe which I can leave here, therefore eliminating one bulky item from future suitcases.
How lovely to have the opportunity to use this vintage Vogue pattern once again.
This robe takes a lot of fabric, and it was a tight squeeze fitting all the pattern pieces on it and matching the plaid as well. I had to make the sash out of two pieces of fabric, seaming it in the back. Additionally, I had enough fabric for only one pocket (I prefer two.) But, I am happy with the outcome, and very pleased to have used one more piece of fabric from my sizeable collection!
Viyella is the perfect fabric for a lightweight, but warm bathrobe. It is machine washable, and gets softer with age.
While the bathrobe, and the little dresses, were enjoyable to make, neither were challenging in the “couture” sense. So I did my “couture” dreaming vicariously through the Susan Khalje Couture Sewing Club, where inspiration abounds in many forms. Earlier in the month, Susan was interviewed for the “Love to Sew” podcast. Treat yourself and spend a lovely hour-plus listening to it, if you haven’t already done so. The interview, Episode 106, dated August 12th, can be found here:
www.lovetosewpodcast.com.
Among Susan’s new pattern offerings is this jacket:
When I arrive back home in Pennsylvania, I will be searching through my fabric closet for the perfect pairing for this pattern. I am just itching to challenge myself with such a project. No more pillows, at least for now!
15 Comments
Filed under Bathrobes, Buttons - choosing the right ones, Fashion commentary, Sewing for children, Uncategorized, Vintage fabric, vintage Vogue patterns from the 1950s
Tagged as 1950's Vogue patterns, Bathrobes, fashion sewing, sewing for children, Susan Khalje Couture, vintage Vogue patterns